{"id":229279,"date":"2024-07-26T14:10:00","date_gmt":"2024-07-26T14:10:00","guid":{"rendered":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/07\/26\/ghost-rite-here-rite-now\/"},"modified":"2024-07-26T14:10:00","modified_gmt":"2024-07-26T14:10:00","slug":"ghost-rite-here-rite-now","status":"publish","type":"post","link":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/07\/26\/ghost-rite-here-rite-now\/","title":{"rendered":"GHOST Rite Here Rite Now"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Love them or hate them, there&#8217;s no denying that Sweden&#8217;s <strong><a href=\"https:\/\/metalinjection.net\/tag\/ghost\">Ghost<\/a><\/strong> is one of the biggest rock bands around. With a highly distinctive musical and visual aesthetic, as well as a dedication to consistently entertaining and intriguing lore, it&#8217;s no wonder why their fanbase has grown monumentally since 2010&#8217;s <em>Opus Eponymous<\/em>. So, it was only a matter time before they got their own movie\u20142024&#8217;s <em>Rite Here Rite Now<\/em>, <a href=\"https:\/\/metalinjection.net\/at-the-movies\/film-review-ghost-rite-here-rite-now\">which we loved<\/a>\u2014and corresponding soundtrack. Although it&#8217;s an impeccably performed and captured overview of <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/ghost\">Ghost<\/a><\/strong><\/strong>&#8216;s newer material, the lack of earlier content and live rawness makes it simultaneously great and somewhat needless and incomplete.<\/p>\n<p>Recorded across two nights at Los Angeles&#8217; Kia Forum in September of 2023, <em>Rite Here Rite Now<\/em> is as pristinely recorded and evenly mixed as you could imagine. Mastermind <strong><a href=\"https:\/\/metalinjection.net\/tag\/tobias-forge\">Tobias Forge<\/a> <\/strong>sings as purely and charismatically as ever, and the band (including numerous backing singers) are equally clear and capable. As a result, it feels like you&#8217;re perfectly situated within the center of the show, with the music in front of you and the muffled cheers of the crowd coming from every other direction.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Ghost - The Future Is A Foreign Land (Official Music Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/lz24W6CQ0HI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Similarly, the setlist is sure to delight anyone who adores <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/ghost\">Ghost<\/a><\/strong><\/strong>&#8216;s latest pieces. For instance, more than half of 2022&#8217;s <em><a href=\"https:\/\/metalinjection.net\/reviews\/album-review-ghost-impera\">Impera<\/a><\/em> is represented, ranging from weighty symphonic prelude &#8220;Imperium&#8221; and exhilaratingly fun rocker &#8220;Kaisarion&#8221; to the menacingly sludgy &#8220;Call Me Little Sunshine&#8221; and the scorchingly carnivalistic &#8220;Twenties&#8221;. 2018&#8217;s marginally divisive <em><a href=\"https:\/\/metalinjection.net\/reviews\/ghost-prequelle\">Prequelle<\/a><\/em> is accounted for, too, via standouts such as &#8220;Rats&#8221; and &#8220;Dance Macabre&#8221;; plus, other miscellaneous gems (&#8220;Mary on a Cross&#8221;, &#8220;Square Hammer&#8221;, &#8220;Cirice&#8221;) flesh things out further.<\/p>\n<p>Likely the two main attractions, however, are &#8220;If You Have Ghosts (Chamber Version&#8221;) and closer &#8220;The Future is a Foreign Land&#8221;. The former track\u2014a cover of a <strong>Roky Erickson<\/strong> composition that originally appeared on 2013&#8217;s <em>If You Have Ghost <\/em>EP\u2014is cleverly reimagined with more classical and choral elegance. As for the latter, it&#8217;s a new track whose retro \u201860s pop\/rock simplicity, catchiness, and positivity adds a slightly new shade to <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/ghost\">Ghost<\/a><\/strong><\/strong>&#8216;s already diverse and fearless craftsmanship.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Ghost - Spillways (Rite Here Rite Now - Original Motion Picture Soundtrack)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/sSWF15bZhmY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>As fulfilling and commendable as this soundtrack is, it&#8217;s also a tad underwhelming and inherently unnecessary. Obviously, a substantial amount of the movie&#8217;s appeal\u2014the visuals and narrative\u2014are gone, so it relies entirely on the music itself to be satisfying. Yet, the absence of <em>anything<\/em> from the group&#8217;s first two LPs\u2014<em>Opus Eponymous<\/em> and 2013&#8217;s <em>Infestissumam<\/em>\u2014is disappointing (especially if <em>Rite Here Rite Now <\/em>is meant to embody their career thus far). Additionally, there could be more banter between <strong>Forge<\/strong> and the audience, as well as more edginess and variety to the replicated songs. (After all, that&#8217;s usually a large part of the point of live renditions, right?)<\/p>\n<p><em>Rite Here Rite Now<\/em> does exactly what it should (flawlessly capture the audio of its corresponding show). Therefore, it might seem stupid to be critical of it. Again, though, the issues aren&#8217;t so much what <em>Rite Here Rite Now<\/em> is; it&#8217;s what it <em>isn&#8217;t<\/em>. Without a wider array of material and concert personality, it can&#8217;t help but come across as a mostly comprehensive and extremely enjoyable\u2014but slightly pointless\u2014complement to <strong><a href=\"https:\/\/metalinjection.net\/tag\/ghost\">Ghost<\/a><\/strong>&#8216;s first film.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Ghost - Mary On A Cross (Official Music Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/bpY6gGjjy5I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/metalinjection.net\/reviews\/album-review-ghost-rite-here-rite-now\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Love them or hate them, there&#8217;s no denying that Sweden&#8217;s Ghost is one of the biggest rock bands around. With a highly distinctive musical and<\/p>\n","protected":false},"author":1,"featured_media":229280,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-229279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/229279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=229279"}],"version-history":[{"count":0,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/229279\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/229280"}],"wp:attachment":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=229279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=229279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=229279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}