{"id":25253,"date":"2024-02-22T00:38:02","date_gmt":"2024-02-22T00:38:02","guid":{"rendered":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/02\/22\/job-for-a-cowboy-moon-healer\/"},"modified":"2024-02-22T00:38:02","modified_gmt":"2024-02-22T00:38:02","slug":"job-for-a-cowboy-moon-healer","status":"publish","type":"post","link":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/02\/22\/job-for-a-cowboy-moon-healer\/","title":{"rendered":"JOB FOR A COWBOY Moon Healer"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>It&#8217;s hard to imagine that <strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong> started as the deathcore band that birthed the infamous &#8220;<a href=\"https:\/\/youtu.be\/fWbV-4LEHBU?t=10\">preheat pizza roles<\/a>&#8221; meme with &#8220;Entombment of a Machine&#8221; and a classic <a href=\"https:\/\/youtu.be\/Ue0kCn5YRE0\">Spongebob Mashup<\/a> with &#8220;Knee Deep.&#8221; The band&#8217;s progression out of the 2005 <em>Doom<\/em> era has been marked by a clear desire to disprove the naysayers who derided them as trendy MySpace kids. As <strong>Jonny Davy<\/strong> became the only founding member, <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong> successfully transitioned into a staple of modern death metal. But as their previous album <em>Sun Eater<\/em> suggests, they still had more to express. Now on <em>Moon Healer<\/em>, <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong> completes their progressive vision. This album is full-on death metal for nerds, and it&#8217;s hard to deny how solid it is.<\/p>\n<p>Suffice it to say that <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong>&#8216;s latest release is prog-death metal, not tech-death. As an opening statement of intent, the opening track &#8220;Beyond The Chemical Doorway&#8221; comes through with complex grooves and atmospheric chord progressions to match <strong>Tony Sannicandro<\/strong>&#8216;s dazzling guitar solos and <strong>Nick Schendzielos<\/strong>&#8216;s acrobatic bass lines. There&#8217;s still room for blast beats, sweep picking, and breakdowns, but it&#8217;s clear that <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong> wants to do more than shred. This desire to push themselves as arrangers pays dividends throughout the album.<\/p>\n<p>Unlike many prog bands, <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong> <\/strong>keeps the majority of these songs under five minutes. This relative restraint allows cuts like &#8220;Etched In Oblivion&#8221; to make their statement without getting too indulgent. It&#8217;s also here where Sannicandro and rhythm guitarist <strong>Al Glassman<\/strong> forsake chugs in favor of winding mazes of dense harmony and dissonant texture (and seriously, listen to <strong>Schendzielos<\/strong>&#8216;s bass. It&#8217;s so delicious). Coupling that with the evolving syncopations of drummer <strong>Navene Koperweis<\/strong> results in songs more akin to <strong><a href=\"https:\/\/metalinjection.net\/tag\/gorguts\">Gorguts<\/a><\/strong> or <strong><a href=\"https:\/\/metalinjection.net\/tag\/cynic\">Cynic<\/a><\/strong>.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Job for a Cowboy - Beyond the Chemical Doorway (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/qm5Z-ciozcc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p><strong>Koperweis<\/strong>&#8216;s fusion pedigree (established by his stint in <strong><a href=\"https:\/\/metalinjection.net\/tag\/animals-as-leaders\">Animals As Leaders<\/a><\/strong>) has a particularly important impact on <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong>&#8216;s rhythm structure. He meshes swimmingly with Schendzielos&#8217; slap bass at the start of &#8220;Grinding Wheels Of Ophanim,&#8221; but in a broader sense, his unpredictable chops let everyone in the band lean into eccentricities. Even so, he maintains a respect for time-tested extreme metal tropes as well. So, <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong> can riff where it counts and pull off memorable motifs just as easily as they can divulge into a wormhole of oddity.<\/p>\n<p><strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong> shines the most when they balance their progressive tendencies with headbang-worthy awesomeness. But even then, a cut &#8220;The Sun Gave Me Ashes So I Sought Out The Moon&#8221; doesn&#8217;t simply divide into &#8220;the heavy part&#8221; and &#8220;the prog part.&#8221; Some of this is owed to <strong>Davy<\/strong>&#8216;s vocal delivery, which remains as savage as ever. He knows how to play nice with nimble fretwork and drum licks, but his growls still beg for some low-end nastiness. This blurred line between brutality and complexity lets deeper cuts like &#8220;Into The Crystalline Crypts&#8221; flex impressive chops and cohesion from these musicians while not getting bogged down in pretentious noodling.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Job For A Cowboy - The Forever Rot (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/SywCGhiwNyw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>While not easy listening by any means, <em>Moon Healer<\/em> does manage to retain distinction from track to track. It&#8217;s especially clear in &#8220;A Sorrow-Filled Moon&#8221; that these guys know when to get out of each other&#8217;s way. The guitar solos happen during the more straightforward riffs, but both guitarists knowingly stratify their ideas to let the bass take over the melody.<\/p>\n<p>In the same way, <strong>Koperweis<\/strong> can lock in with everyone with blast beats and double-kick grooves as easily as he can throw in curveball fills and time changes. In this way, the more &#8220;metal&#8221; parts feel like a cathartic release after the detours, like the jackhammer intensity and mosh-ready backbeat of &#8220;The Agony Seeping Storm.&#8221; <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong> hasn&#8217;t entirely lost touch with the savage roots, instead using funky math-rock breaks and alien melodies to expand their sound.<\/p>\n<p>Saving their longest for last, <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong> isn&#8217;t about to surprise anyone with &#8220;The Forever Rot&#8221; at this point. They&#8217;ve grown comfortable with this new form, not feeling the need to throw a bone at old-schoolers or switch things up for no reason. The sonic flow of <em>Moon Healer<\/em> remains constant, guiding the listener through the choppy waters with grace and dynamics to boot. While it&#8217;ll be interesting to see how the pit warriors respond to this doubling down on prog, <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/job-for-a-cowboy\">Job For A Cowboy<\/a><\/strong><\/strong> is anything but stagnant.<\/p>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/metalinjection.net\/reviews\/job-for-a-cowboy-moon-healer\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s hard to imagine that Job For A Cowboy started as the deathcore band that birthed the infamous &#8220;preheat pizza roles&#8221; meme with &#8220;Entombment of<\/p>\n","protected":false},"author":1,"featured_media":25254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/25253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=25253"}],"version-history":[{"count":0,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/25253\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/25254"}],"wp:attachment":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=25253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=25253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=25253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}