{"id":25969,"date":"2024-03-11T23:41:37","date_gmt":"2024-03-11T23:41:37","guid":{"rendered":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/03\/11\/album-review-vltimas-epic\/"},"modified":"2024-03-11T23:41:37","modified_gmt":"2024-03-11T23:41:37","slug":"album-review-vltimas-epic","status":"publish","type":"post","link":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/03\/11\/album-review-vltimas-epic\/","title":{"rendered":"Album Review: VLTIMAS Epic"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><strong>David Vincent<\/strong>. <strong>Evil D<\/strong>. The man is larger than life and a legend in the world of death metal and extremity. Still currently active and touring with <strong><a href=\"https:\/\/metalinjection.net\/tag\/i-am-morbid\">I Am Morbid<\/a><\/strong> (his version of <strong><a href=\"https:\/\/metalinjection.net\/tag\/morbid-angel\">Morbid Angel<\/a><\/strong>), <strong>Evil D<\/strong> has blessed us again with the fruits of one of his more recent ventures, <strong><a href=\"https:\/\/metalinjection.net\/tag\/vltimas\">Vltimas<\/a><\/strong>. <\/p>\n<p>You might remember the debut record from <strong><a href=\"https:\/\/metalinjection.net\/tag\/vltimas\">Vltimas<\/a><\/strong>, just a few short years ago. <em>Something Wicked Marches In<\/em> was a more than appropriate name for a record that really broke new ground by perfectly bridging and blending death metal and black metal with a novel, updated sound. A project that also involves legendary black metal guitarist <strong>Rune Eriksen<\/strong> aka <strong>Blasphemer<\/strong> (<strong><a href=\"https:\/\/metalinjection.net\/tag\/mayhem\">Mayhem<\/a><\/strong>, <strong><a href=\"https:\/\/metalinjection.net\/tag\/nader-sadek\">Nader Sadek<\/a><\/strong>, <strong><a href=\"https:\/\/metalinjection.net\/tag\/aura-noir\">Aura Noir<\/a><\/strong>) and <strong><a href=\"https:\/\/metalinjection.net\/tag\/cryptopsy\">Cryptopsy<\/a><\/strong> drummer <strong>Flo Mounier<\/strong> (who also played in <strong><a href=\"https:\/\/metalinjection.net\/tag\/nader-sadek\">Nader Sadek<\/a><\/strong>), <strong><a href=\"https:\/\/metalinjection.net\/tag\/vltimas\">Vltimas<\/a><\/strong> marches in again with <em>Epic<\/em>. <\/p>\n<p>While the sonics of the band haven&#8217;t changed all that much with this new record, the band does take on a more avant-garde approach to material and lyrics. <strong>Vincent<\/strong> gets a bit more creative and distinctive with vocals on this record, reticent of some of his work with <strong><a href=\"https:\/\/metalinjection.net\/tag\/morbid-angel\">Morbid Angel<\/a><\/strong> circa 2011 and the <em>Illud Divinum Insanus<\/em> record. This is especially apparent on tracks like &#8220;Mephisto Manifesto,&#8221; which is far removed from any type of vocal one might find in either the black or death metal genres.<\/p>\n<p>The pacing of <em>Epic<\/em> is a touch slower than their debut record. The speed of a cut like &#8220;Praevalidus,&#8221; or &#8220;Total Destroy,&#8221; for example, both scorchers on <em>Something Wicked<\/em> is not quite as prevalent on the sophomore effort. Though burners like &#8220;Scorcher&#8221; will satisfy those looking for a hefty dose of speed. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"VLTIMAS - &quot;Scorcher&quot; (Official Visualizer) 2024\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/IK8qkAfv2pA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Songs like &#8220;Miserere&#8221; are a bit more in the trash realm than they are anything else, adding a bit of a new dimension to the band. It also features some layered vocals in the chorus which I really wasn&#8217;t expecting but certainly do love. <strong>Vincent<\/strong>&#8216;s makeup in the video though\u2026 not so sure about that. Seems a bit too WWE, but maybe that&#8217;s what he was going for. Though I&#8217;ll take this look over<a href=\"https:\/\/i0.wp.com\/www.toiletovhell.com\/wp-content\/uploads\/2018\/02\/evil2b.jpg?ssl=1\"> his <strong>Genitorturers<\/strong>&#8216; ensemble<\/a> any day of the week. I will say, however, that <strong>Vincent<\/strong>&#8216;s clarity and cadence are quite distinctive and novel here. This a welcome is a musical genre that isn&#8217;t exactly known for clarity in annunciation. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"VLTIMAS - &quot;Miserere&quot; (Official Music Video) 2023\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/AR8LhYBaRfw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Cuts like &#8220;Invictus&#8221; aren&#8217;t bad and will satisfy, though it&#8217;s the album&#8217;s two final songs that truly leave the listener wanting more. &#8220;Nature&#8217;s Fangs&#8221; has a bit groove to it, which I was not totally expecting. &#8220;Spoils of War,&#8221; the record&#8217;s closer, has some great riffs as Blasphemer actually slows things down a bit. It&#8217;s much more about feel than speed or heft on this song and I&#8217;m glad we got to see the band change things up a bit.<\/p>\n<p>Overall, a very solid sophomore effort for <strong><a href=\"https:\/\/metalinjection.net\/tag\/vltimas\">Vltimas<\/a><\/strong>. Looking forward to the what they do next, hopefully it will involve a tour here in the US.<\/p>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/metalinjection.net\/reviews\/album-review-vltimas-epic\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Vincent. Evil D. The man is larger than life and a legend in the world of death metal and extremity. Still currently active and<\/p>\n","protected":false},"author":1,"featured_media":25970,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-25969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/25969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=25969"}],"version-history":[{"count":0,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/25969\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/25970"}],"wp:attachment":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=25969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=25969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=25969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}