{"id":26048,"date":"2024-03-13T20:16:16","date_gmt":"2024-03-13T20:16:16","guid":{"rendered":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/03\/13\/album-review-udad-udad\/"},"modified":"2024-03-13T20:16:16","modified_gmt":"2024-03-13T20:16:16","slug":"album-review-udad-udad","status":"publish","type":"post","link":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/03\/13\/album-review-udad-udad\/","title":{"rendered":"Album Review: UD\u00c5D Ud\u00e5d"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><strong>Ud\u00e5d<\/strong> comes from a well-documented urge within black metal, to retain a respect for the genre&#8217;s essential components. As the new project from one <strong>Thomas Eriksen<\/strong>, the mastermind behind Norwegian trve kvlters <strong><a href=\"https:\/\/metalinjection.net\/tag\/mork\">Mork<\/a><\/strong>, this project seeks to reverse whatever progression <strong><strong><a href=\"https:\/\/metalinjection.net\/tag\/mork\">Mork<\/a><\/strong><\/strong> has experienced. <strong>Ud\u00e5d<\/strong> leaves all pleasantry at the door. This is black metal at its most unfiltered, theatrical, and, most importantly, emotional. This self-titled debut highlights the way black metal can channel real feelings within caustic machinations.<\/p>\n<p>Norwegian lineage notwithstanding, the opening cut &#8220;Den Evindelige Ende&#8221; sets a mood more akin to French Black Legions projects like <a href=\"https:\/\/youtu.be\/NOQUFF2Jc54\"><strong>M\u00fctiilation<\/strong><\/a> or <a href=\"https:\/\/youtu.be\/ELnsd9blhhU?t=358\"><strong>A\u00e4kon K\u00eb\u00ebtr\u00ebh<\/strong><\/a>. If the more atmospheric leanings of <strong><a href=\"https:\/\/metalinjection.net\/tag\/mork\">Mork<\/a><\/strong>&#8216;s 2023 album <em>Dypet<\/em> seemed a bit too nice on the ears, <strong>Ud\u00e5d<\/strong> starts things off with three minutes of dismal guitar loops that sound particularly lo-fi. Even by black metal standards, this stuff is <em>raw<\/em>. And yet, <strong>Eriksen<\/strong>&#8216;s ear for mood and harmonic tension remains intact. Within self-imposed limitations, it&#8217;s more important than ever for these ideas to bear repetition and get away with, well, sounding bad by most standards. In essence, the ideas behind <strong>Ud\u00e5d<\/strong> <em>are<\/em> those ideas.<\/p>\n<p>Take the opening riff of &#8220;Bakenfor Urskogens Utkant&#8221; for instance. The abject simplicity, a steady rhythm section, and nuanced chord shifts get at the heart of what made the early black metal scene so unique. Also of note are <strong>Eriksen<\/strong>&#8216;s vocals, which favor animalistic howls over the shrieking black metal trope. This results in a sound that resonates beyond what its rudimentary foundations of staccato riffing might entail. Even so, the tremolo picking and black metal waltz drumming of &#8220;Avgudsdyrker&#8221; play more naturally into the modern black metal aesthetic. Like the classic album <a href=\"https:\/\/youtu.be\/x3WdtS4FZck\"><em>Nattens Madrigal<\/em><\/a>, <strong>Ud\u00e5d<\/strong> has no issue letting their melodicism shine through the frigid harshness. This also helps justify the length of these songs relative to their dynamic range.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Ud\u00e5d -  Avgudsdyrker (official promotional video)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/HybuSWx3w-c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Beyond its emphasis on bass (in black metal???), &#8220;Blodnatten&#8221; generally shows how the right musician can rely on actual riffs instead of faux-atmospheric tremolo guitars. Whether it&#8217;s arpeggios, chugs, or ascending leads, <strong>Eriksen<\/strong> shows how much ground can be covered within the boundaries of lo-fi black metal. The album&#8217;s first and only blast beat doesn&#8217;t happen until &#8220;Den Virkelige Apokryf,&#8221; and by that point, it&#8217;s a refreshing burst of energy. <strong>Ud\u00e5d<\/strong> gets away with a song that&#8217;s essentially one long blast beat because <strong>Eriksen<\/strong> has so much more to offer than walls of noise on this outing.<\/p>\n<p>Granted, nothing about tracks like &#8220;Vondskapens Triumf&#8221; and &#8220;Kald Iver&#8221; will surprise listeners with even the most basic understanding of black metal. The difference becomes <strong>Eriksen<\/strong>&#8216;s evident understanding of his chosen style. Whether it&#8217;s his tasteful leadwork in the former or hammering double-kick drumming in the latter, <strong>Ud\u00e5d<\/strong> taps into a primordial well of ghastly beauty. It&#8217;s also worth emphasizing the way the bass guitar gets the spotlight, for melodic support or an extra push for the more head-banging sections. It&#8217;s also clear that <strong>Eriksen<\/strong> is choosing to play with more restraint. He doesn&#8217;t have to play <em>raw<\/em> black metal. He <em>chooses<\/em> to because he has something worthwhile to express using that style.<\/p>\n<p>Perhaps the best aspect of <strong>Ud\u00e5d<\/strong> comes from the fact <strong>Eriksen<\/strong> generates such erieness with just guitar, bass, drums, and vocals. The closing song &#8220;Antropofagens Hunger&#8221; needs no keyboards or ambient interludes for it to stick the listener in the middle of a Scandinavian winter. It just goes to show that when a person understands an aesthetic or a feeling, even the meat-and-potatoes approach will yield some compelling results. In this way, <strong>Ud\u00e5d<\/strong> legitimizes the existence of lo-fi black metal even after the genre at large has evolved so much. As long as there are people who can evoke that profane fire of stripped-down darkness, the world needs musicians willing to trim the fat and ride the caustic hypnosis into Valhalla.<\/p>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/metalinjection.net\/reviews\/udad\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ud\u00e5d comes from a well-documented urge within black metal, to retain a respect for the genre&#8217;s essential components. As the new project from one Thomas<\/p>\n","protected":false},"author":1,"featured_media":26049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/26048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=26048"}],"version-history":[{"count":0,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/26048\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/26049"}],"wp:attachment":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=26048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=26048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=26048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}