{"id":26070,"date":"2024-03-14T19:56:05","date_gmt":"2024-03-14T19:56:05","guid":{"rendered":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/03\/14\/the-soundtrack-for-the-crow-reboot-better-not-suck\/"},"modified":"2024-03-14T19:56:05","modified_gmt":"2024-03-14T19:56:05","slug":"the-soundtrack-for-the-crow-reboot-better-not-suck","status":"publish","type":"post","link":"https:\/\/newhampshiredigitalnews.com\/index.php\/2024\/03\/14\/the-soundtrack-for-the-crow-reboot-better-not-suck\/","title":{"rendered":"The Soundtrack For The Crow Reboot Better Not Suck"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><em>The Crow<\/em> reboot is due out June 7 and whoever is in charge of the soundtrack better not screw it up, because the original soundtracks were fantastic. The original 1994 soundtrack for <em>The Crow<\/em> featured (among others):<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/nine-inch-nails\">Nine Inch Nails<\/a><\/strong> covering<strong> Joy Division<\/strong>&#8216;s &#8220;Dead Souls&#8221;<\/li>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/pantera\">Pantera<\/a><\/strong> covering<strong> Poison Idea<\/strong>&#8216;s &#8220;The Badge&#8221;<\/li>\n<li><strong>Rollins Band<\/strong> covering <strong>Suicide<\/strong>&#8216;s &#8220;Ghost Rider&#8221;<\/li>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/rage-against-the-machine\">Rage Against The Machine<\/a><\/strong> re-recording their 1991 track &#8220;Darkness Of Greed&#8221;<\/li>\n<li><strong>My Life With The Thrill Kill Kult<\/strong> re-recording &#8220;Nervous Xians&#8221;<\/li>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/helmet\">Helmet<\/a><\/strong> contributing their 1994 track &#8220;Milquetoast&#8221;<\/li>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/stone-temple-pilots\">Stone Temple Pilots<\/a><\/strong> debuting their song &#8220;Big Empty&#8221;<\/li>\n<\/ul>\n<p>Then there&#8217;s the sequel&#8217;s soundtrack from <em>The Crow: City Of Angels<\/em> in 1996, which was also incredible. That one featured in part:<\/p>\n<ul>\n<li><strong>Hole<\/strong> covering<strong> Fleetwood Mac<\/strong>&#8216;s &#8220;Gold Dust Woman&#8221;<\/li>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/white-zombie\">White Zombie<\/a><\/strong> covering<strong> KC And The Sunshine Band<\/strong>&#8216;s &#8220;I&#8217;m Your Boogie Man&#8221;<\/li>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/filter\">Filter<\/a><\/strong> contributing &#8220;Jurassitol&#8221;<\/li>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/korn\">Korn<\/a><\/strong> contributing &#8220;Sean Olson&#8221;<\/li>\n<li><strong><a href=\"https:\/\/metalinjection.net\/tag\/deftones\">Deftones<\/a><\/strong> contributing &#8220;Teething&#8221;&#8216;<\/li>\n<\/ul>\n<p><em>The Crow: Salvation<\/em> in 2000 was no slouch either as it featured <strong><a href=\"https:\/\/metalinjection.net\/tag\/danzig\">Danzig<\/a><\/strong>, <strong><a href=\"https:\/\/metalinjection.net\/tag\/filter\">Filter<\/a><\/strong>, <strong><a href=\"https:\/\/metalinjection.net\/tag\/rob-zombie\">Rob Zombie<\/a><\/strong>, <strong>Pitchshifter<\/strong>, <strong><a href=\"https:\/\/metalinjection.net\/tag\/static-x\">Static-X<\/a><\/strong>, <strong><a href=\"https:\/\/metalinjection.net\/tag\/monster-magnet\">Monster Magnet<\/a><\/strong>, and you get the idea. <em>The Crow<\/em> was pushing great metal through its soundtracks, if not touching on the underground in a significant way \u2013 <strong><a href=\"https:\/\/metalinjection.net\/tag\/korn\">Korn<\/a><\/strong> and <strong><a href=\"https:\/\/metalinjection.net\/tag\/deftones\">Deftones<\/a><\/strong> in 1996 was a gamble.<\/p>\n<p>Now we&#8217;ve got <em>The Crow<\/em> reboot starring <strong>Bill Skarsg\u00e5rd<\/strong>, <strong>FKA twigs<\/strong>, and <strong>Danny Huston<\/strong>. The first trailer is streaming below and it&#8217;s got the 2019 <strong><a href=\"https:\/\/metalinjection.net\/tag\/post-malone\">Post Malone<\/a><\/strong> track &#8220;Take What You Want&#8221; featuring <strong><a href=\"https:\/\/metalinjection.net\/tag\/ozzy-osbourne\">Ozzy Osbourne<\/a><\/strong> and <strong>Travis Scott<\/strong>. Which isn&#8217;t the worst, but given the massive surge of n\u00fc-metal reunions and new-n\u00fc bands, it&#8217;s surprising the trailer didn&#8217;t dip into that more. Doubly so given the plethora of excellent industrial bands out there (<strong><a href=\"https:\/\/metalinjection.net\/tag\/ministry\">Ministry<\/a><\/strong> is on the way out \u2013 why not get a farewell track?).<\/p>\n<p>I guess we&#8217;ll see what happens. But man, here&#8217;s hoping <em>The Crow<\/em> in 2024 has a genuinely good, heavy soundtrack that includes some neat covers and maybe even breaks a new band. Or at the very least does <strong>Brandon Lee<\/strong>&#8216;s memory a service.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"The Crow (2024) Official Trailer - Bill Skarsg\u00e5rd, FKA twigs, Danny Huston\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/djSKp_pwmOA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<\/div>\n<div>\n<div class=\"zox-post-body left zoxrel zox100\">\n<h5>Want More Metal? Subscribe To Our Daily Newsletter<\/h5>\n<p>Enter your information below to get a daily update with all of our headlines and receive The Orchard Metal newsletter.<\/p>\n<\/p><\/div>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/metalinjection.net\/editorials\/the-soundtrack-for-the-crow-reboot-better-not-suck\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Crow reboot is due out June 7 and whoever is in charge of the soundtrack better not screw it up, because the original soundtracks<\/p>\n","protected":false},"author":1,"featured_media":26071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-26070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/26070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=26070"}],"version-history":[{"count":0,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/26070\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/26071"}],"wp:attachment":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=26070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=26070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=26070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}