{"id":296116,"date":"2025-05-18T20:51:37","date_gmt":"2025-05-18T20:51:37","guid":{"rendered":"https:\/\/newhampshiredigitalnews.com\/index.php\/2025\/05\/18\/the-catholic-culture-podcast-ep-81-love-like-a-conflagration\/"},"modified":"2025-05-18T20:51:37","modified_gmt":"2025-05-18T20:51:37","slug":"the-catholic-culture-podcast-ep-81-love-like-a-conflagration","status":"publish","type":"post","link":"https:\/\/newhampshiredigitalnews.com\/index.php\/2025\/05\/18\/the-catholic-culture-podcast-ep-81-love-like-a-conflagration\/","title":{"rendered":"The Catholic Culture Podcast: Ep. 81 &#8211; Love Like a Conflagration"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"date\">Jul 17, 2020<\/p>\n<p>From 1981 to 1993, Jane Greer edited <em>Plains Poetry<br \/>\nJournal<\/em>, publishing poets who were reviving the traditional<br \/>\ntools of \u201crhyme, meter, alliteration, assonance, painstaking<br \/>\nattention to diction\u201d which had been abandoned in favor of free<br \/>\nverse. (These poets included names you will be familiar with from<br \/>\nthe Catholic scene today, such as Anthony Esolen and Mike<br \/>\nAquilina.) Then, as they say, life happened, and Greer didn\u2019t write<br \/>\na single poem for almost thirty years.<\/p>\n<p>But God\u2019s ways are unpredictable. After three decades of<br \/>\nsilence, Greer was suddenly struck with a poem while sitting in a<br \/>\nNew Orleans caf\u00e9. This began a steady stream of output resulting in<br \/>\nher new collection, <em>Love Like a Conflagration<\/em> (which also<br \/>\nincludes the poems from her only previous book).<\/p>\n<p>Greer\u2019s poetry is musical, fiery and accessible, and has<br \/>\nreceived high praise from many of today\u2019s foremost Catholic poets,<br \/>\nincluding past podcast guests Samuel Hazo, James Matthew Wilson,<br \/>\nAnthony Esolen and Mike Aquilina. Hazo writes: \u201cThere is not a poem<br \/>\nin this remarkable book that will leave you unchanged or be<br \/>\nforgotten \u2026 Each of these poems is as permanently current as it is<br \/>\nconsummate. [Greer] puts on the page\u00a0the passion long absent<br \/>\nfrom American poetry. I\u2019ve never read a book as poetically and<br \/>\nbeautifully frank as this.\u201d<\/p>\n<p><strong>Contents<\/strong><\/p>\n<p>[2:57] Style and intended audience of Jane&#8217;s work<\/p>\n<p>[3:53] The introductory poem to <em>Love Like a<br \/>\nConflagration,<\/em> \u201cMicha-el\u201d<\/p>\n<p>[9:00] Structure of the collection<\/p>\n<p>[12:22] \u201cHer Green Desire\u201d<\/p>\n<p>[16:19] Jane&#8217;s 30-year hiatus from poetry and providential<br \/>\nreturn<\/p>\n<p>[23:13] \u201cAt the Cafe Pontalba\u201d, Jane\u2019s first poem after 30 years<br \/>\nof silence<\/p>\n<p>[25:27] Jane\u2019s beginnings as a self-taught poet and early<br \/>\ninfluences<\/p>\n<p>[30:30] \u201cBecause God Wanted It\u201d, a poem about unmerited<br \/>\ngrace<\/p>\n<p>[34:28] The relationship between Jane&#8217;s spiritual life and her<br \/>\npoetry<\/p>\n<p>[38:12] Dealing with lust in \u201cSong of the Passerby\u201d and<br \/>\n\u201cPastoral\u201d<\/p>\n<p>[45:08] Jane&#8217;s work founding and editing <em>Plains Poetry<br \/>\nJournal<\/em><\/p>\n<p>[50:27] \u201cBourbon, Neat\u201d and pure play with language<\/p>\n<p>[55:34] The immersive musicality and force of Jane\u2019s poetry<\/p>\n<p>[57:50] \u201cFeminist Androgyne\u201d<\/p>\n<p>[1:03:15] \u201cThe Haunting\u201d<\/p>\n<p>[1:05:09] \u201cTwice Betrayed\u201d, a poem in Lazarus\u2019 voice<\/p>\n<p>[1:10:49] \u201cIn the Pool at the Bourbon Orleans\u201d<\/p>\n<p><strong>Links<\/strong><\/p>\n<p>Read \u201cMicha-el\u201d <a href=\"https:\/\/isi.org\/modern-age\/micha-el\/\">https:\/\/isi.org\/modern-age\/micha-el\/<\/a><\/p>\n<p><em>Love Like a Conflagration<\/em> <a href=\"https:\/\/lambingpress.com\/product\/love-like-a-conflagration\/\">https:\/\/lambingpress.com\/product\/love-like-a-conflagration\/<\/a><\/p>\n<p>This podcast is a production of CatholicCulture.org. If you like<br \/>\nthe show, please consider supporting us! <a href=\"http:\/\/catholicculture.org\/donate\/audio\">http:\/\/catholicculture.org\/donate\/audio<\/a><\/p>\n<\/div>\n<p><script>(function(d, s, id) {\n      var js, fjs = d.getElementsByTagName(s)[0];\n      if (d.getElementById(id)) return;\n      js = d.createElement(s); js.id = id;\n      js.src = \"\/\/connect.facebook.net\/en_US\/sdk.js#xfbml=1&version=v2.8&appId=834757889913083\";\n      fjs.parentNode.insertBefore(js, fjs);\n    }(document, 'script', 'facebook-jssdk'));<\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/catholicculturepodcast.libsyn.com\/ep-81-love-like-a-conflagration-jane-greer\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jul 17, 2020 From 1981 to 1993, Jane Greer edited Plains Poetry Journal, publishing poets who were reviving the traditional tools of \u201crhyme, meter, alliteration,<\/p>\n","protected":false},"author":1,"featured_media":296117,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[166],"tags":[],"class_list":["post-296116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/296116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=296116"}],"version-history":[{"count":0,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/296116\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/296117"}],"wp:attachment":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=296116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=296116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=296116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}