\n<\/p>\n
Apr 8, 2020<\/p>\n
Stabat Mater<\/em>, a medieval hymn that was long used as the This episode explores the most famous and influential setting of Contents<\/strong><\/p>\n [2:11] The Stabat Mater<\/em> text in the context of liturgy [6:30] Pergolesi\u2019s bio and career<\/p>\n [9:30] Aria from L\u2019Olimpiade<\/em> (used with permission from [17:37] Deathbed composition of the Stabat Mater<\/em><\/p>\n [18:52] Pergolesi\u2019s place and innovations in sacred music of the [23:07] First movement, Stabat Mater dolorosa<\/em><\/p>\n [35:04] Second movement, Cuius animan gementem<\/em><\/p>\n [40:32] Pergolesi\u2019s approach to text-setting: alternating [43:20] Sixth movement, Vidit suum dulcem natum<\/em><\/p>\n [50:35] Seventh movement, Eia, Mater, fons amoris<\/em><\/p>\n [56:45] Musical characteristics of the baroque and galant [58:27] Ninth movement, Sancta mater, istud agas<\/em><\/p>\n [1:11:44] Popular settings of the Stabat Mater<\/em> before [1:12:49] Twelfth movement, Quando corpus morietur<\/em><\/p>\n [1:17:20] The somber ending to the piece: hope amidst sorrow<\/p>\n [1:20:30] Contemporary and later criticism of the piece for [1:23:11] Other interesting settings of the Stabat Links<\/strong><\/p>\n Recording by La Nuova Musica (featured in this episode) http:\/\/www.harmoniamundi.com\/#!\/albums\/2239<\/a><\/p>\n Also recommended: Recording by Concerto Italiano Website devoted to settings of the Stabat Mater https:\/\/www.stabatmater.info\/<\/a><\/p>\n The text https:\/\/www.stabatmater.info\/english-translation\/<\/a><\/p>\n Lyubov Petrova sings Aristea’s aria from Pergolesi’s opera La Nuova Musica http:\/\/lanuovamusica.co.uk\/<\/a><\/p>\n Lyubov Petrova https:\/\/imgartists.com\/roster\/29757\/<\/a><\/p>\n This podcast is a production of CatholicCulture.org. If you like
\nsequence for the Feast of the Seven Sorrows of the Blessed Virgin
\nMary, is now commonly sung between each Station of the Cross. This
\nprayer, in which we ask Our Lady to help us experience the same
\nsorrow and love with which she participated in her Son\u2019s Passion,
\nhas been set to music by many great composers.<\/p>\n
\nStabat Mater<\/em>, completed by the 26-year-old Giovanni
\nBattista Pergolesi (1710-1736) as he was dying of tuberculosis. An
\ninterview with leading Pergolesi scholar Francesco Cotticelli is
\ncombined with excerpts from the piece as recorded by La Nuova
\nMusica (used with permission).<\/p>\n
\nand Marian devotion<\/p>\n
\nLyubov Petrova)<\/p>\n
\ntime<\/p>\n
\nbetween contemplation and action<\/p>\n
\nstyles<\/p>\n
\nPergolesi<\/p>\n
\nbeing too theatrical<\/p>\n
\nMater<\/em><\/p>\n
\nhttps:\/\/www.amazon.com\/Pergolesi-Scarlatti-Stabat-Mater-Alessandrini\/dp\/B00CMSP1HU\/<\/a><\/p>\n
\nL’Olimpiade<\/em> https:\/\/www.youtube.com\/watch?v=H_SsVAXMMqo<\/a><\/p>\n
\nthe show, please consider supporting us!\u00a0http:\/\/catholicculture.org\/donate\/audio<\/a><\/p>\n<\/div>\n