{"id":297712,"date":"2025-09-27T22:00:26","date_gmt":"2025-09-27T22:00:26","guid":{"rendered":"https:\/\/newhampshiredigitalnews.com\/index.php\/2025\/09\/27\/episode-50-a-catholic-composer-in-queen-elizabeths-court-pt-ii-kerry-mccarthy\/"},"modified":"2025-09-27T22:00:26","modified_gmt":"2025-09-27T22:00:26","slug":"episode-50-a-catholic-composer-in-queen-elizabeths-court-pt-ii-kerry-mccarthy","status":"publish","type":"post","link":"https:\/\/newhampshiredigitalnews.com\/index.php\/2025\/09\/27\/episode-50-a-catholic-composer-in-queen-elizabeths-court-pt-ii-kerry-mccarthy\/","title":{"rendered":"Episode 50\u2014A Catholic Composer in Queen Elizabeth\u2019s Court, Pt. II\u2014Kerry McCarthy"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"date\">Sep 9, 2019<\/p>\n<p>One of England\u2019s greatest composers, William Byrd is a<br \/>\nfascinating and complicated figure of Catholic musical history. A<br \/>\nmusician in the Royal Chapel of Queen Elizabeth, he associated with<br \/>\nthe highest ranks of the Anglican establishment while writing music<br \/>\non the side for secret Catholic masses.<\/p>\n<p>In part two of this interview, singer and scholar Kerry McCarthy<br \/>\ndiscusses the high level of amateur musicianship in Byrd&#8217;s England,<br \/>\nhis attitude towards music as revealed in his writings, his<br \/>\napproach to text-setting and relationship with contemporary poets,<br \/>\nand Renaissance rhythm. An overview is given of more of the genres<br \/>\nByrd worked in, from keyboard and consort music to motets and Mass<br \/>\npropers.<\/p>\n<p>In this episode you will hear the following pieces by Byrd (all<br \/>\nused with kind permission from the groups named):<\/p>\n<p>Fantasia in A minor for keyboard, performed by Olga<br \/>\nPashchenko\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=5DiebzF-UJ4\">https:\/\/www.youtube.com\/watch?v=5DiebzF-UJ4<\/a><\/p>\n<p>In nomine #5 for consort, performed by The Rose Consort of Viols<br \/>\non\u00a0<em>Byrd: Consort and Keyboard Music, Songs and<br \/>\nAnthems\u00a0<\/em><a href=\"https:\/\/www.amazon.com\/Byrd-Consort-Keyboard-Music-Anthems\/dp\/B0000013UP\" target=\"_blank\" rel=\"noopener\">https:\/\/www.amazon.com\/Byrd-Consort-Keyboard-Music-Anthems\/dp\/B0000013UP<\/a><\/p>\n<p>Tristitia et anxietas, performed by Gallicantus on\u00a0<em>The<br \/>\nWord Unspoken<\/em>\u00a0<a href=\"https:\/\/music.apple.com\/us\/album\/word-unspoken-sacred-music\/533746884?app=itunes&amp;ls=1\">https:\/\/music.apple.com\/us\/album\/word-unspoken-sacred-music\/533746884?app=itunes&amp;ls=1<\/a><\/p>\n<p>Ave verum corpus, performed by Ensemble ZENE on\u00a0<em>Via<br \/>\nDolorosa\u00a0<\/em><a href=\"https:\/\/www.highresaudio.com\/en\/album\/view\/pd88hj\/ensemble-zene-bruno-kele-baujard-purcell-byrd-scarlatti-lotti-allegri-via-dolorosa\">https:\/\/www.highresaudio.com\/en\/album\/view\/pd88hj\/ensemble-zene-bruno-kele-baujard-purcell-byrd-scarlatti-lotti-allegri-via-dolorosa\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ioBgfmzRLUE\">https:\/\/www.youtube.com\/watch?v=ioBgfmzRLUE<\/a><\/p>\n<p><strong>Links<\/strong><\/p>\n<p>Part I of this interview\u00a0<a href=\"https:\/\/www.catholicculture.org\/podcast\/index.cfm?id=49\">https:\/\/www.catholicculture.org\/podcast\/index.cfm?id=49<\/a><\/p>\n<p>Kerry McCarthy,\u00a0<em>Byrd<\/em>\u00a0<a href=\"https:\/\/global.oup.com\/academic\/product\/byrd-9780195388756?cc=us&amp;lang=en&amp;\" target=\"_blank\" rel=\"noopener\">https:\/\/global.oup.com\/academic\/product\/byrd-9780195388756?cc=us&amp;lang=en&amp;<\/a><\/p>\n<p>Olga Pashchenko\u00a0<a href=\"https:\/\/www.youtube.com\/channel\/UCfXOSSr0MB_fvePKrSfCQug\">https:\/\/www.youtube.com\/channel\/UCfXOSSr0MB_fvePKrSfCQug<\/a><\/p>\n<p>The Rose Consort of Viols\u00a0<a href=\"https:\/\/www.alisoncrum.myzen.co.uk\/roseconsortweb\/index.htm\" target=\"_blank\" rel=\"noopener\">https:\/\/www.alisoncrum.myzen.co.uk\/roseconsortweb\/index.htm<\/a><\/p>\n<p>Gallicantus\u00a0<a href=\"http:\/\/www.gallicantus.com\/\">http:\/\/www.gallicantus.com\/<\/a><\/p>\n<p>Ensemble ZENE\u00a0<a href=\"https:\/\/www.ensemblezene.com\/\">https:\/\/www.ensemblezene.com\/<\/a><\/p>\n<p>This podcast is a production of CatholicCulture.org. If you like<br \/>\nthe show, please consider supporting us!<a href=\"http:\/\/catholicculture.org\/donate\/audio\">\u00a0http:\/\/catholicculture.org\/donate\/audio<\/a><\/p>\n<\/div>\n<p><script>(function(d, s, id) {\n      var js, fjs = d.getElementsByTagName(s)[0];\n      if (d.getElementById(id)) return;\n      js = d.createElement(s); js.id = id;\n      js.src = \"\/\/connect.facebook.net\/en_US\/sdk.js#xfbml=1&version=v2.8&appId=834757889913083\";\n      fjs.parentNode.insertBefore(js, fjs);\n    }(document, 'script', 'facebook-jssdk'));<\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/catholicculturepodcast.libsyn.com\/episode-50a-catholic-composer-in-queen-elizabeths-court-pt-iikerry-mccarthy\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sep 9, 2019 One of England\u2019s greatest composers, William Byrd is a fascinating and complicated figure of Catholic musical history. A musician in the Royal<\/p>\n","protected":false},"author":1,"featured_media":297713,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[166],"tags":[],"class_list":["post-297712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/297712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=297712"}],"version-history":[{"count":0,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/297712\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/297713"}],"wp:attachment":[{"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=297712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=297712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newhampshiredigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=297712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}