Bugonia – first-look review | Little White Lies
Although Lanthimos has moved away from the stilted hyper-stylised hallmarks which announced him to the filmmaking world at large, his preoccupation with misfits and oddballs
The Life Of Chuck review – soliloquy soup
This year Mike Flanagan, known best for turning horror’s greatest novels into palatable limited television series for Netflix, is switching it up! His latest, The
The extreme vulnerability of Joaquin Phoenix
Looking at his last four projects, it seems that Phoenix perfected his precise working formula – hyper-ambitious, complex-to-realise films from directors he has worked with
Sorry, Baby review – a film about holding on to…
Something very bad happened to Agnes. It’s hinted at in the first segment of Sorry, Baby, when her best friend Lydie (Naomi Ackie) arrives for a visit,
My Grandmother Trelotótó review – a world of…
Hoping to resurrect her late grandmother, Júlia, Catarina Ruivo combines family archives with rich visuals in a non-fiction film which successfully immortalises a cherished loved one. Old
Unmoored review – jars its own style
A huge sigh releases from deep within Maria (Mirja Turestedt) as she is greeted by a mob of photographers and journalists at her door asking “Are
Weapons review – fun but familiar horror hijinks
If you’ve been to the cinema in the past few months, specifically to watch a horror film, you might have seen an intriguing teaser for Zach
Freakier Friday review – nothing quite compares…
For many millennials and Gen Z cinephiles, Mark Waters’ Freaky Friday is a cornerstone of early 2000s cinema. The third adaptation of Mary Rodgers’ 1972 novel of the
Inside the inaugural edition of the Collective Film Festival London
A dispatch from a passionate grassroots project over in Finsbury Park. ‘Diversity’ and ‘inclusion’ have become corporate buzzwords, vibe-free boxes to be ticked on BFI
Bring Her Back + Directors Danny and Michael Phillipou | The Naked Gun | Naked Gun (1988)
On the show this week we discuss Bring Her Back and speak to its delightful directors Danny and Michael Phillipou. The spoof returns in The